Alonso Indacochea

DIY Filmmaker Digest 1 – Week of September 11, 2025

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A roundup of articles, insights, and to-dos for DIY filmmakers.


Published on September 11, 2025



Welcome to this week’s DIY Filmmaker Digest — part syllabus, part mixtape, part fever dream of cinema’s shifting ground. Below you will find: essays and interviews that ask what artists are tinkering with, what systems are breaking, and how you might improvise your own way forward. There’s a mild New Mexico bias, plus podcasts, videos, and trailers to keep your queue weird and your outlook restless.




Articles


Possibilia header image

What Could Have Been: Daniels’ Possibilia

“Interactive cinema isn’t a gimmick when it trusts its audience with real choice — the problem is, the industry rarely does.”

Takeaways

  • Bold experiments need supportive infrastructures.
  • Interactive work risks becoming tech demo without authorship.
  • Collectives sustain innovation beyond one-offs.

To-Dos

  • Study earlier experiments (Possibilia, Bandersnatch, VR shorts).
  • Plan collective support for formal R&D.
  • Exhibit beyond festivals (web, installs, micro-cinemas).

FilmFreeway critique

Submitting to Film Festivals? FilmFreeway GM Matt Toigo Talks Scams, Fees, Marketing & the Platform’s Future

“The submission model now functions as a tax on ambition — payable up front, with odds you’ll never see.”

Takeaways

  • Monopolies reproduce hierarchies.
  • Fees feel like lotteries, not meritocracy.
  • Balance exposure against sustainability.

To-Dos

  • Target fee-waiving or mission-led fests.
  • Band together to demand reforms.
  • Build DIY circuits in parallel.

Uncompromising filmmaker

What It Really Means to Be an Uncompromising Filmmaker

“Real integrity looks like care: for the crew, for the story, for the conditions that make the art possible.”

Takeaways

  • Mythic “no-compromise” often masks bad labor.
  • Integrity = sustainable, collective practice.
  • Accountability is part of the vision.

To-Dos

  • Define strategic compromise up front.
  • Center crew well-being in schedules and budgets.
  • Share decision logs with collaborators.

Santa Fe Studios sale

Santa Fe Studios Film Campus Sale

“Infrastructure touted as permanent can change hands overnight — and with it, the promises made to workers.”

Takeaways

  • “Permanent” hubs can be precarious assets.
  • Speculation warps cultural planning.
  • Cooperative spaces build resilience.

To-Dos

  • Reduce dependency on private facilities.
  • Explore cooperative leasing or ownership.
  • Lobby for public/nonprofit film spaces.

Top Ten Movie Moms

Top Ten Movie Moms

“Care is labor — and cinema’s mothers show how much of it remains invisible.”

Takeaways

  • Tropes can foreground class and care.
  • Caregiving is political, on and off screen.
  • Lists can seed deeper programs.

To-Dos

  • Add a ‘care’ line item to budgets.
  • Program screenings on family/labor.
  • Interview caregivers on your crew.

Embershot platform

Embershot Launch and Indie Distribution

“A filmmaker-first path for shorts — if transparency and community remain the core product.”

Takeaways

  • Bypasses traditional gatekeepers.
  • Revenue-sharing and transparency favor filmmakers.
  • Could reshape short-film circulation if adopted widely.

To-Dos

  • Sign up early and test features.
  • Share release case studies with peers.
  • Pair platform drops with DIY screenings.

The Promise of Video Games

The Promise of Video Games

“Managed choice is not agency — and most platforms manage our choices.”

Takeaways

  • Managed choice ≠ agency; authorship needs independence.
  • Cross-media thinking clarifies blind spots.
  • Participatory economics supports participatory form.

To-Dos

  • Pair shorts with playable micro-experiences.
  • Treat patrons as co-authors.
  • Open-source parts of your toolchain.

Jacobin on Spotify and content churn

Spotify Pushes Musicians Toward “Content”

“The algorithm rewards output, not care — and artists pay the difference.”

Takeaways

  • Platform logic favors churn.
  • Sustainable art needs shared ownership and fair pay.
  • Transparency is ethical and strategic.

To-Dos

  • Publish budgets and pay scales.
  • Release in seasons, not drips.
  • Bundle films with essays/talks/zines.

Charlie Kaufman interview

Charlie Kaufman on Process, Scale, and Staying Weird

“Make the thing only you can make; the market can catch up—or not.”

Takeaways

  • Protect specificity over convention—chase the idea, not the algorithm.
  • Small scale can be a style, not a compromise.
  • Development is discovery: writing, shooting, and editing are one evolving process.

To-Dos

  • Draft a one-page scene built around a constraint (one room, one light, one hour) and shoot an exploratory pass this week.
  • Write a 150-word program note and outline a “no-algorithm” release path (micro-cinema + newsletter + library/Kanopy).
  • Create a 5–7 rule “world doc” for your current project; revise it after each shoot or edit session.

Guardian Netflix algorithm piece

Netflix and the Algorithmic Blandness

“Bland, easy to follow, for fans of everything — an aesthetics reverse engineered to keep you watching rather than thinking.”

Takeaways

  • Algorithms flatten storytelling into predictable loops.
  • Chasing platform taste ≠ visibility worth having.
  • Alternate circuits remain vital for bold work.

To-Dos

  • Write for people, not for retention heuristics.
  • Route audiences via festivals, micro-cinemas, newsletters.
  • Self-archive to control discovery.

Casual Viewing essay

Casual Viewing

“When a film becomes background noise, its power to bind us together dissolves.”

Takeaways

  • “Casual” watching drains cinema’s force.
  • Context and attention are political.
  • Make space for focused viewing.

To-Dos

  • Host intentional screenings.
  • Offer discussion guides.
  • Design formats that resist distraction.

California tax incentives

California Updates Film Tax Incentives

“Subsidy races move production — not necessarily culture.”

Takeaways

  • Credits shape geography, not always community.
  • Race-to-the-bottom favors studios over DIY.
  • Locals rarely see direct support.

To-Dos

  • Check local incentives that actually apply to you.
  • Advocate micro-budget inclusion clauses.
  • Build alternative sustainability.

New Mexico film industry recession

New Mexico and the Film Industry Recession

“When the subsidy tide recedes, who owns the boats?”

Takeaways

  • Subsidy-driven booms risk sharp busts.
  • Local crews absorb instability first.
  • Durable cultures need local ownership.

To-Dos

  • Lobby for community infrastructure funding.
  • Design subsidy-independent plans.
  • Build mutual-support networks.

Cinelease sold

Cinelease Sold to Investment Firm

“When equipment becomes an asset class, access narrows and prices rise.”

Takeaways

  • Consolidation concentrates power.
  • Rentals may rise under finance logic.
  • Co-ops counter vulnerability.

To-Dos

  • Pool gear with peers.
  • Seek nonprofit/community rentals.
  • Build mutual-aid relationships.

SITE Santa Fe biennial review

Seeing New Mexico Through the Looking Glass – SITE Santa Fe Biennial

“Global frames can spotlight — or distort — the local image.”

Takeaways

  • Outside curation reframes place.
  • Balance local specificity with global circuits.
  • Assert community authorship.

To-Dos

  • State your own narrative of place.
  • Engage festivals strategically.
  • Document regional stories for global dialogue.

Jacobin on Caught Stealing

Caught Stealing as Noir

“Noir’s shadows fall differently when institutions stop working.”

Takeaways

  • Genre can carry critique.
  • Autonomous distribution is political.
  • Audience-building is part of the art.

To-Dos

  • Pair screenings with mutual aid.
  • Make city-specific editions/ephemera.
  • Lean into time/place constraints.


Podcasts & Videos


Future of Storytelling — Venice Immersive Curators

“Immersion works best when it brings people together rather than isolating them.”

To-Dos

  • Explore site-specific or home screenings for XR pieces.
  • Treat new tools as craft, not gimmick.

Interactive: Chance’s Lucky Escape

“On a tiny canvas, every beat counts — constraint becomes style.”

To-Dos

  • Prototype a micro-interaction to inform your next short.
  • Partner with a VN/Twine creator for hybrids.

No Film School — Christopher Landon on Drop

“Creating a supportive, collaborative environment on set is something I prioritize — it’s the only way the work can really thrive.”

To-Dos

  • Treat failure as fuel — build resilience through stumbles, not just wins
  • Lock your script to 99% before shooting; improvisation works best from a solid foundation
  • Make your set psychologically safe: trust + respect = better performances
  • Cast every role with intention — even one-liners and background shape the story world

Trailers


Diciannove
Dir. Giovanni Tortorici, 109 min
Italy, Drama
In theaters Feb. 27, 2025

Architecton
Dir. Victor Kossakovsky, 98 min
Germany, Documentary/Essay
In theaters Aug. 1, 2025

Honey Don’t
Dir. Ethan Coen & Tricia Cooke, 106 min
USA, Dark Comedy
In theaters Aug. 22, 2025

Nouvelle Vague
Dir. Richard Linklater, 105 min
France, Drama/Comedy
In theaters (France) Oct. 8, 2025

Caught Stealing
Dir. Darren Aronofsky, 107 min
USA, Crime-Thriller
In theaters Nov. 14, 2025
Starring Austin Butler, Zoë Kravitz

The Last Viking
Dir. Anders Thomas Jensen, TBD
Denmark, Dark Comedy
In theaters (Denmark) Oct. 9, 2025

In the Hand of Dante
Dir. Julian Schnabel, TBD
Italy/USA, Drama
In theaters (festival) 2025

The President’s Cake
Dir. Hasan Hadi, 102 min
Iraq, Drama
Release: TBD

Once Upon a Time in Gaza
Dir. Arab Nasser and Tarzan Nasser, 87 min
Palestine, Drama
Release: TBD

The Stranger (L’Étranger)
Dir. François Ozon, TBD
France, Drama
In theaters (France) Oct. 29, 2025
Starring Benjamin Voisin, Rebecca Marder, Swann Arlaud, Denis Lavant

Kill the Jockey
Dir. Luis Ortega, 110 min
Argentina, Crime-Drama
In theaters Jul. 2, 2025
Starring Nahuel Pérez Biscayart, Úrsula Corberó

Highest 2 Lowest
Dir. Spike Lee, 133 min
USA, Crime-Thriller
In theaters Aug. 15, 2025; Apple TV+ Sep. 5, 2025
Starring Denzel Washington, Jeffrey Wright, A$AP Rocky, Ilfenesh Hadera

Motel Destino
Dir. Karim Aïnouz, 115 min
Brazil, Erotic-Thriller
In theaters Aug. 29, 2025
Starring Iago Xavier, Nataly Rocha

One Battle After Another
Dir. Paul Thomas Anderson, TBD
USA, Drama
In theaters Sep. 26, 2025
Starring Leonardo DiCaprio, Sean Penn, Benicio Del Toro

Bugonia
Dir. Yorgos Lanthimos, TBD
USA, Psychological Thriller
In theaters Oct. 31, 2025
Starring Emma Stone, Jesse Plemons

The Toxic Avenger (2025)
Dir. Macon Blair, 102 min
USA, Horror-Comedy
In theaters Aug. 29, 2025
Starring Peter Dinklage, Elijah Wood, Kevin Bacon

Frankenstein
Dir. Guillermo del Toro, TBD
USA, Gothic Horror
Limited theatrical Oct. 2025; Netflix Nov. 7, 2025
Starring Mia Goth, Andrew Garfield, Oscar Isaac

The Secret Agent
Dir. Kleber Mendonça Filho, TBD
Brazil, Drama Release: TBD

It Was Just an Accident
Dir. Jafar Panahi, 105 min
Iran, Drama
Release: TBD

Sentimental Value
Dir. Joachim Trier, 133 min
Norway, Drama
Release: TBD



That’s a wrap on our very first DIY Filmmaker Digest. At Dust Wave, everything we share is chosen with the same compass: collectivity over ego, experiments over formulas, access over gatekeeping.

Keep making what only you can make, keep passing the torch sideways, and keep stitching together the world we actually want to live in.


Alonso Indacochea

Dust Wave co-founder

Shellfish Knish wins Best New Mexico Short at Mindfield!
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